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Mallory, Jason

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Jason Mallory, DMA

Instructor - Voice
  • Opera Workshop
  • Vocal Pedagogy and Literature

Baritone Jason Mallory has performed in opera and oratorio in the United States, Italy, and Poland. His repertoire features many of the great Mozart operas: as Count Almaviva in Le Nozze di Figaro, Don Alfonso in Così fan tutte, Nardo in La finta Giardiniera, and Jesus in Die Schuldigkeit des ersten und führnehmsten Gebots. His other roles from the standard repertoire include Aeneas in Purcell’s Dido and Aeneas, Dr. Dulcamara in Donizetti’s L’Elisir d’amore, Giorgio Germont in Verdi’s La Traviata, Top in Copland’s The Tender Land, Ben in Menotti’s The Telephone, and Pooh-Bah in Gilbert and Sullivan’s The Mikado. Mr. Mallory’s passion for new opera has led him to associations with current composers in the Kentucky Opera Visions Program, with whom he premiered three 21st-century operas. His last operatic appearance was with the Cedar Rapids Opera Theater as Maximilian in Bernstein’s Candide.

Mr. Mallory’s oratorio credits include Bach’s Christmas Oratorio, Haydn’s Lord Nelson Mass, Mozart’s Vesperae solennes de Confessore, Saint-Saëns’ Christmas Oratorio, Fauré’s Requiem, and Vaughan Williams’ Five Mystical Songs. Mr. Mallory has roots in Columbia, Missouri, but he received his Bachelor of Music degree from the University of Southern California and his Master of Music degree from the University of Louisville. He is currently completing his Doctor of Musical Arts degree at the University of Iowa. He has taught Voice, Vocal Pedagogy, and World Music at Lindenwood for three semesters. He has also taught at the University of Missouri-St. Louis, the University of Louisville, the University of Iowa, and Coe College.

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